Hello Fiction Lovers!
First of all I’d like to apologize for posting late this week and I thought I’d share a fun, helpful video by one of my favorite vloggers, Jenna Moreci. In the video she’ll talk about her top 10 villain pet peeves and what makes them so terrible. To mention some of the villains that she talks about and that I definitely agree with her opinion about are: the cartoon villain, villain who doesn’t really do anything, chatty villain, femme fatale, and the bad guy who sucks at being the bad guy.
Here’s the link: 10 Worst Villain Pet Peeves
I hope you all enjoy the video and let me know if you have any questions!
Instead of having a guardian angel, you have a guardian Demon. His methods are often more violent. But much more straightforward.
–Promptuarium (Found on Pinterest)
Hello Fiction Lovers!
Lately, what I’ve been reading seem to have many a character that are Mary Sues–or in other words, a character that can do whatever they want when they want to do it. Mary Sues, to me, are basically walking, talking deus ex machinas. And about as disappointing, because as a reader you expect the characters to struggle in order to achieve their goals and with both of those there is no struggle. They take the impact and thus the meaning out of the story, and most often this is most obvious at the story’s climax. As I’m sure you know and have experienced the climax of a story is when all the tension and questions about what will happen in the story comes to a head and you get to see that tension and those questions get resolved. Often times when you look back on a well written climax it seems as if there was no other way for it to be written–everything in the story was leading up to and hinting at it happening just as it did. Often there is no build up to a deus ex machina. So when a writer takes the easy way out of by implementing deus ex machina–either by using a Mary Sue or some event–the reader often feels cheated and/or disappointed. Please don’t make your readers feel that way.
There is really only one key thing you need to remember to help make sure they don’t feel that way: limits make characters (and stories) interesting. When I talk to other readers and writers the things they seem to remember most about their favorite characters is what they couldn’t do instead of what they could do. Granted, people also seem to remember and the love the moments best when those characters found ways around or overcame their limits, but there is a difference between that and simply bypassing limits or not having any limits in the first place. The former includes struggle and the later does not. The former is defined by the limits the characters face and the later focuses on results. Results are well and good, but depth and how believable the journey was to get those results are also important. Mary Sues and other deus ex machina take away that chance to build depth and believability which is why they so often leave readers feeling disappointed/cheated.
I understand that you can write yourself into a corner, but when that happens just take a step back and try to find the thing that is making a solution impossible without using a godlike character or a random event. Then rewrite that thing so that a solution is still difficult, but no longer impossible. It’ll probably take some editing, but doing so is worth keeping the story believable and interesting and true to the parameters (limits) it’s already established. I also understand that writing a Mary Sue can be tempting. I’ve definitely written one before and it can be fun to have a character who is all powerful, but in the end I found out that the story and the character were a lot more interesting when I gave them limits/weaknesses. I had to come up with creative solutions to problems instead of making it as if they never happened, and that created tension and interest in what was going to happen next.
To put it succinctly: people tend to put more stock into something they worked for rather than something that was handed to them, and that goes for solutions to problems in stories as well.
Thank you for reading and feel free to post your thoughts on this topic in the comments. Please let me know if you have any questions and I hope you all have a great week!
Hello Fiction Lovers!
So this week I’m going to share a guest blog post that another writer wrote specifically for my blog. James Bee seems like a pretty cool person and you can check out his bio at the bottom of this post. As you’ve probably guessed the blog post is going to be about character motivation and why it’s important. So without further ado here you go:
On the Importance of Proper Character Motivation
Guest blog post by James Bee
Characters are the driving motivation behind the majority of novels. Obviously there are exceptions to this rule but on the whole I think it holds true. Most plots centre around them and the actions that they take. The readers spends the whole book seeing things through their eyes, reading about what they do and the effects that those actions have.
Thus character’s motivations and how they drive them to interact with the plot and the world around them are extremely important for the writer to get right. Making sure your character’s motivations make sense and are logical is vital. Otherwise their actions won’t make sense and everything will fall apart around them. This is something that I struggled with early in the novel I’m currently writing. I knew how the plot would unfold and how the characters would fit into it, but I didn’t know why. And until I knew that, it was impossible to get my head around the book.
Motivations drives action which drives the plot. Characters must have good reasons for doing what they do, or at least logical ones. Their actions must follow from their motivations. Always ask yourself why is a character doing something? Do they have a good reason? These reasons can come from anywhere, backstory, desires, belief systems, they just have to be logical and compelling.
If not, then you can run the risk of breaking the immersion for the reader or having the book start to unravel. Nothing is more frustrating as a reader than when character’s you’ve become invested in start making decisions or doing things that don’t make any sense or aren’t consistent. It can completely ruin the enjoyment of a novel. Therefore, making sure that your character’s motivations are in order is of the utmost importance!
Writer Bio: James Bee is a novelist and blogger working out of Vancouver, Canada. He’s the author of two fantasy novels with more on the way! You can follow him on twitter @jameslikesbooks or follow him on his blog at https://jamesreads.blog/!
Please feel free to post your ideas on this topic in the comments and let me know if you have any questions! I hope you all have a great week!
Guest Blog by Kate Elliott (Found on Tor.com)
Hello Fiction Lovers!
So I’ve been reading more writing advice posts and I came across this one that I thought made some really good points. I think that it won’t only help writers write better female characters, but more well rounded characters overall. It can also help if you feel like you’ve been stuck writing cliches or stereotypes. One thing that she made me realize is that even though I have multiple women characters I don’t often have them talk to each other because they are part of different subplots. And that’s something I should fix because they are all in a single manor and would talk to each other more often than I’m have them do so. She also makes a good point about preconceptions and how there is a difference between choosing to make a character more of a stereotype or two-dimensional, and simply doing so without realizing it.
I strongly encourage you to click on the above link even if you have the most well-rounded female characters because it can help you view writing in a new way and help with other parts of writing as well. Please let me know if you have any questions and feel free to share your thoughts on this topic as well!
Hello Fiction Lovers!
First of all, I want to apologize for getting this out late. I wasn’t sure what I wanted to write about this week and I took so long debating it that Monday was over before I got to writing it. That said, lately I’ve thinking about active characters and so I finally decided that I should write about them.
In my experience, readers a very partial to active characters over passive characters. I think this is because we would rather see someone working toward something instead something being done to someone. The latter can be frustrating, especially when it happens over and over again, which is never a terrible fun emotion to feel. The frustration with the character can lead to frustration with the book/story and can cause a reader to stop reading–something no writer wants, and most likely the reader isn’t satisfied with having to put a book down either. That isn’t to say that a character can’t be passive, just that they shouldn’t be passive all the time. When a character, especially a main character, is passive continuously it raises the question of what they are contributing to the story, why they are there, because it feels like they can be replaced with any other passive person and the story would be the same. So, when you’re writing make sure that you give reasons/let the characters take actions to show why they are the ones that must be in this particular story.
There are two reasons why I think some writers have trouble writing active characters: they think they are writing active characters but their characters are reacting instead of acting, and they place their characters in confining places/situations so it seems like there is nothing for their characters to do. To solve the first problem, I would ask yourself if something happens and then your characters act, because that is an example of reacting and reacting is more passive. Let your characters make a plan and act on it to move the plot forward instead. Reaction can be fine, especially when characters are caught off-guard but please don’t use it for every plot point. As for the second problem, remember that every action doesn’t have to be some huge story altering thing. Maybe your character just wants a piece of cheese or to make friends with the prisoner in the next cell over. If they are stuck in a cell or some other place where they can’t move around much let them make a plan to escape or to minimize the danger/discomfort they are in, and then let them act on that plan.
I hope that this was helpful and please let me know if you have any questions! Feel free to post your thoughts on active characters in the comments and I hope you all have a good week!
10 tips for writing realistic combat scenes in fantasy fiction. Guest blog by Danie Ware.
Source: Writing Combat In Fantasy – Part One: Top Ten Tips
Hello Fiction Lovers!
This week I thought I’d share one of my favorite posts from Fantasy Faction. It helped me make my combat scenes more realistic and flow better. Hopefully it will do the same for you!
Let me know what you think of the post in the comments or if you have any questions. I hope you all have a good week!
Hello Fiction Lovers!
Since it’s been about a week since NaNoWriMo started this year I thought it’d be good to talk about it this week. For those of you who might not know, NaNoWriMo stands for National Novel Writing Month and it occurs during November every year. The goal of NaNoWriMo is to writing 50,000 words by the end of the month. It also has a website that has forums that give advice on many different topics such as characters, plotting help, and naming things and they send out pep talks to help writers keep writing (https://nonowrimo.org). Through their website you can also join a regional group that helps give encouragement and that you can connect with though you don’t have to do so. NaNoWriMo is good at making the act of writing a more social thing–if you go to the website–and that can help make those 50,000 words seem a little less daunting because you know thousands of other people are trying to reach that goal as well and that makes their encouragement a bit more meaningful.
I like NaNoWriMo a lot, but I have to be truthful and say that I haven’t yet reached the 50,000 word goal in the years that I’ve done it. However, I did write more in a more consistent manner in November than I would have otherwise, so I would still recommend participating even if you don’t think you’ll reach the goal or think it’s too late to try since you missed the first week. It also opens a good way to get in contact with other writers to make friends and possibly get feedback on your work in the future. They also focus a lot on putting aside your inner editor and just getting words on the page, which I’ve never been as good at, but even if you do still edit some it can still help you focus more on the story than what it looks/sounds like. That can help you write more and make it so you don’t spend more time editing that writing when the first draft isn’t even finished.
This year instead of working on a single project I decided to count any words that I write for fun and that aren’t part of a school assignment or other required activity, only what I want to and because I feel the need to write. If you want to find me on the NaNoWriMo website my username is Corinelle.
Thanks for reading and let me know if you have any questions! Feel free to post about your own NaNoWriMo experiences in the comments and I hope you all have a fun writing filled week!
Hello Fiction Lovers!
First I would like to apologize for getting this post to you late. It’s midterm season and studying has made me busier than normal. This week I’ve been thinking about character motivation because on of my professors pointed out that writers, typically, seem to focus on more what a character fears or dislikes rather than what they love. She challenged us to come up with three things the main characters in the short stories we are writing for the class love. It was more difficult than I thought it would be.
The challenge served as a reminder that even though what a character fears/dislikes. what bad things happen to them, typically drive a story forward a writer can’t forget to add in good things too. You don’t have to force the good things into the story, just like it’s a bad idea to the same for more tragic things, but knowing what they are and keeping them in mind as you write can help flesh out a character and the story. The character will strive just as much, if not more, to obtain the things they love rather than just escaping the things they fear. Often too fear and bad decisions can come out of love and good intentions. Knowing those things can make your character’s motivation more nuanced and realistic. And that will be more interesting for your readers.
It’s good to remember to let the motivation flow from the story instead of trying to force a trope or other idea to work. It might take you a few tries but the character will let you know why they are doing what they are doing as you write and edit the story. It might seem clunky at first when you are getting the basic idea for the story down but as you flesh out the story and learn more about the characters their motivations will be more clear, and those motivations won’t always be a tragic backstory. A tragic backstory is good for some types of characters but others accidentally became involved with whatever the story is about and are trying to return to their normal life or want to make the best of it, a few had good childhoods and want others to have the same or got bored by it and decided to something a little more exciting. It all depends on the character. Write the story and listen to them.
Thanks for reading and let me know if you have any questions! I hope you all have a fun week.
“Who are you?”
The creature turned to look at her, its voice hushed and sad, “A forgotten god.”